From JARRELLJ@N4.OPNAV.NAVY.MIL Mon Sep 11 10:55:10 1995 Received: from pascal.math.ubc.ca by raven.math.ubc.ca (911016.SGI/1.14) id AA16696; Mon, 11 Sep 95 10:55:10 -0700 Received: by pascal.math.ubc.ca id AA28800; Mon, 11 Sep 95 10:54:58 PDT Received: from N4.OPNAV.NAVY.MIL by opnav-emh.navy.mil with SMTP (1.37.109.11/16.2) id AA206311808; Mon, 11 Sep 1995 13:50:08 -0400 Received: from cc:Mail by N4.OPNAV.NAVY.MIL id AA810852004; Mon, 11 Sep 95 13:36:14 EST Date: Mon, 11 Sep 95 13:36:14 EST From: "JARRELL_JIM" Encoding: 1 Text, 178 Text Message-Id: <9508118108.AA810852004@N4.OPNAV.NAVY.MIL> To: dgaudet@math.ubc.ca Return-Receipt-To: JARRELLJ@N4.OPNAV.NAVY.MIL Subject: TAB:LeoKottke"Little_Martha"txt.format Status: RO Dean.....Here's Little Martha in text format.....Jim While already posted in OLGA under Allman Brothers, this is my cut on Kottke's version (light years ahead of good ol'boy Duane's). As a musical novice, I am unable to add time values to the Tab. I break up measures very hap-hazardly to say the least. Bottom line...If you're not familiar with the tune you're in big trouble. You gotta listen to it. "Little Martha" Duane Allman arrangement: Leo Kottke From "Home and Away" video and "A Shout Toward Noon" Tab: Jim Jarrell Open D tuning * Harmonic h Hammer-on p pull-off s slide x dampen or undetermined point g ghost note or very insignificant note primarily used to maintain beat or assist in left hand movement. Should be played and heard, but only in passing ( ) indicates optional notes. See explanation below Section I d |--------------------12*--|------------------------| a |-----------12*-----------|-----12*-------10s9-----| f#|-----12*------12*--------|------------0--------0--| D |--------12*------12*-----|--------12*---------0---| A |--12*--------------------|--12*-------------------| D |-------------------------|------------------------| ^ g gg | accentuate harmonic! |-----------------------------0----| |------------12*--------7*---------| repeat section I |------12*----------7*----7*------@| ?X's (til you get |---------12*---------7*----7*----@| tired of it!) |---12*-----------7*---------------| I think its 4Xs |----------------------------------| Note: the "10s9" is later on played "10s9s10s9" with the 2nd string only struck once. Section II |----------------0------------------------| |---------0-----(0)----0------------------| |--0h1---(0)----------(0)-------1p0-------| |--0h2--------0--------------0--2p0----0--| |-------0-----------0----------------0----| |--0--------0----0--------0-----0---------| g g ^see note at end of section 1st ending |----------------|--------------------| |---------0------|--------------------| |--0h1---(0)-----|-------1-----0------| |--0h2--------0--|--2----2--0------0--| |-------0--------|--4-------------0---| |--0--------0----|-----2-------0------| | gg vibrato the "4" on both endings 2nd time |--------------------| |--------------------| |--------1-----------| repeat section II ?Xs |--2-----2-----0-----| I think 2Xs |--4--------0--------| |-----2--------0-----| ^ Note: The third string open note here (in combination with the second string open note) is optional. The two notes played together give a fuller sound. This idea holds true for sections II and III when adjacent string notes are played (eg. 5,s below and 0,s in section I. 5 0 Section III |-------------------5---------------| |----------5-------(5)----5---------| |--5h6----(5)------------(5)--------| |--5h7-----------5--------------5---| |-------5--------------5------------| |--5----------5-----5--------5------| |--------------------------|-----------------| |------------------5-------|-------------5---| |--6p5-------5h6--(5)------|-----------5-----| |--7p5----5--5h7--------5--|--7-----6--------| |-------5--------5---------|--9-----7--------| |--5---------5--------5----|-----0-------5sX-| subtle slide Repeat Section II, then everything from the top I think..:) Section IV 1/2 barre |--5s7---5--------------------------------------| |--5s7---5--5s7---8p7----5------3h4p3h4p3h4p3h4-| |--5s7---5--5s7---7------5----3-----------------| |--7s9------5s7---9p7--5--------3h5p3h5p3h5p3h5-| |-----------7s9-------------0-------------------| |-----------------------------------------------| Not to worry...above measure not nearly as hard as it appears. If you don't use right hand ring finger to play, leave out "7s9"s. Last hammer/pull- offs done with only one, initial right hand movement. Just keep hammer/pulloff going til you run out of sustain...... (start Sec II) |------------------0---------------|------------ |-----4p3------------0-------------|------------ |--3-------5p3---0-----1-0---------|-0h1---etc.. |--------------5-----------2-0-----|-0h2-------- |------------------------------2-0-|------------ |----------------------------------|-0---------- Leo slightly muffles above measure with heel of right hand. Somewhat of a staccato effect. Note that "1 0" and rest of measure played with alter- nating right thumb and index finger (I think! :) If previous measure doesn't work for you try it this way..... |------------------0---------------| |--0--4s3--2p0-------0-------------| |--------------1-0-----1-0---------| |--------------------------2-0-----| |------------------------------2-0-| |----------------------------------| Same notes but maybe alittle easier? Corrections, comments etc. welcome! Jim Jarrell work- JarrellJ@N4.OPNAV.NAVY.MIL home- KQTJ46A@prodigy.com